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Lauren Santo Domingo Fashions a Sophisticated Ski Retreat in Jackson Hole

The style setter enlisted AD100 designer Andre Mellone to help defy tired decorative tropes
Image may contain Indoors Interior Design Architecture Building Furniture Living Room Room Home Decor and Fireplace
The living room is oriented toward a Frank Lloyd Wright–inspired fireplace, and a custom storage bench bisects the space. 1960s Gae Aulenti chairs pull up to a 1940s games table.Art: Yuko Nasaka/Axel Vervoordt Gallery

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In the kitchen, Brutalist 1970s barstools from Holland line a kitchen counter. Italian white perforated cone pendants attributed to Gino Sarfatti.

In 2022, Andrés came across some minimalist, half-moon-shaped stools by Green River Project that had been simply stained and topped with a cushion. “The deep, rich stain became the inspiration,” Lauren says, adding that a later road trip through Belgium and Holland, which included a stop at Morentz, a workshop that specializes in 20th-century design, made a lasting impression too. Another key moment was meeting AD100 designer Andre Mellone through mutual friend Wes Gordon, the creative director of Carolina Herrera, at a cocktail party after Mellone designed the brand’s Madison Avenue store. With his record of creating luxurious, cozy lairs using natural elements (note his handsome reimagining of the lobby at 50 Rockefeller Plaza), Lauren thought he’d be perfect to collaborate on a modernist version of a log cabin. “I wanted to hand-sand and hand-paint every piece of wood paneling,” Lauren smiles. “And we did. Every door, every stair, all of the ceilings.”

1960s Grand Repos Armchair by Guillerme Et Chambron for Votre Maison

Nordic Knots Grid Rug

Serpente Table Lamp by Elio Martinelli

McIntones Ceramics Field Tile

Mellone had admired Lauren’s aesthetic from afar but was curious what it would be like to work together. He found out she has a robust visual library after their first meeting. “She shared a Pinterest board that was broken into three topics: 1920s and ’30s Viennese Secession and Adolf Loos; midcentury modern from France, Brazil, and Scandinavia; and female designers of Italy in the 1970s, like Cini Boeri and Gae Aulenti,” he says. “She knew her references, she knew her history, and she knew exactly what she wanted.”

In a guest bedroom, a 1950s Kai Kristiansen Danish rosewood nightstand topped with a Sonora table lamp from Claude Home stands next to an RH bed reupholstered in a Maharam fabric. Parachute linens.

Art: © 2024 The Estate of Jan Yoors / Artists Rights Society (ARS), New York/Gallery FIFTY ONE

For her part, Lauren says she was relieved he didn’t balk at her preference for communicating extensively via imagery: “Can Pinterest be a love language?” she says laughing.

Both Santo Domingos grew up skiing in Colorado (he in Vail, she in Beaver Creek) but started coming to Wyoming about 20 years ago for harder courses and lighter socializing. “The first time I came here, I wore a cute little outfit that I would have worn in St. Moritz,” Lauren remembers. “And I quickly realized this is a real skier’s mountain. Patagonia is considered a little flashy.” The mountain that this house abuts is known for its unparalleled terrain, legendary powder, and untracked trails. Jackson Hole turns into a real live cowboy haunt in the summers. “We’re not spraying champagne bottles and hosting après-ski parties!”

Elsa Peretti High Tide Earrings

Solid Pine Table Lamp by Uno Kristiansson

Tiffany Twist Tumbler

Pewter Jar by GAB

Moda Domus Calcedonio Glass Salad Bowl

Emile Fabric by Jane Churchill

Built in 2012 by Portland, Oregon–based architect Michael Howells, who had worked for Alan Wanzenberg in New York, the house’s centerpiece is a large double-height living room. Andrés had the idea to use simple, utilitarian bricks to create a modernist chimney and mantle in the style of Wright on which to center the space, which Lauren softened with a tree planted into a custom millwork bench and using a graphic textile on the daybed. Mellone credits Lauren’s career in the fashion world (before starting Moda Operandi she was an editor at Vogue) for her knack of choosing unexpected color and texture combinations. “I’d sit there and think, I would have never done that but, yeah, it looks amazing when she did it.” The family room overlooks the living room and features a vintage sofa, custom ottoman, and a Bluetooth-enabled egg chair selected by the couple’s 12-year-old daughter (they also have a 13-year-old son)—all covered in the same Merlot-colored fabric.

In the family room, a modular sofa by Tito Agnoli for Arflex in Kvadrat’s Gentle 2 fabric surrounds a custom ottoman made to match. The Ovalia egg chair by Thor Larsen for Torlan Staffanstorp features bluetooth and noise-canceling properties. Nordic Knots area rug; artwork by Grayson Perry.

Art: © Grayson Perry/Paragon Press and Victoria Miro.

One of the largest parts of the renovation was converting a ground-level guest bedroom into a fully equipped spa that includes a sauna, steam room, hot tub, and cold plunge for rest and recovery. “It seems everyone ends up spending lots of time there, which is the sign of good design,” Lauren says. “Or good skiing?” Another clever move: Putting in as many built-in bunk beds as would fit in the kids room.

9000 Sofa by Tito Agnoli for Arflex

Vitrine Coffee Table by Sergio Rodrigues

Tiffany Berries Dinner Plate (Set of 6)

Hampton Flatware Place Setting (Set of 5)

Moda Domus Linen Placemats (Set of 2)

Community Basket by Stephen Burks for Berea College

According to Mellone, the word that kept coming up with the Santo Domingos was “vibe.” They wanted something modern, clean, and not too precious. “Will this look good if it gets beaten up by a ski boot?” he’d ask himself. But as they were nearing the decoration phase, a conversation about making a bold vibe shift toward the more traditional took place when Andrés found a collection of early-19th-century roe deer antlers in town. They just happened to work perfectly with a set of late-19th-century French chairs. Was it okay that the “no chalet cliché” house suddenly had a nod to a ski lodge? “You know what they say,” Lauren shrugs. “If you can’t beat ’em, join ’em.”

Lauren Santo Domingo’s Jackson Hole retreat covers AD’s December issue. Never miss a story when you subscribe to AD.

Video production team: Director of content: Keleigh Nealon; creative development/producer: Jeremy Kohm; editor: Eliza Laycock/Jeremy Kohm; illustrations: Andre Mellone; production manager: Melissa Heber; production coordinator: Fernando Davila; talent: Lauren Santo Domingo; post production supervisor: Andrew Montague; post production coordinator: Holly Frew; supervising editor: Christine Mankellow; production company: Fisher Creative.