SET DESIGN

Before Robin Standefer and Stephen Alesch formed Roman and Williams, the legendary duo created a cozy whimsigoth wonderland for this 1998 film that would become a modern classic

While you can’t visit the house that Noah built in person, other filming locations are open to fans looking for a hint of movie magic

Grab your chunky sweater and a big mug of coffee—you’re heading to the real-life Stars Hollow

The new family dramedy directed by Hallie Meyers-Shyer takes place in a gorgeous, masculine dwelling built by modernist architect Miller Yee Fong

The grandiose Los Angeles estate evokes a feeling of pure ’90s nostalgia

Delia Deetz and Otho are vilified for giving the house in Tim Burton’s 1988 film a makeover—but what they created just may have helped inspire a generation

The team behind the ABC juggernaut discusses its iconic set, where drama, deaths, and disasters all unfolded in spectacular fashion on a quaint cul-de-sac

The only catch? The mansion used for filming was actually on Cape Cod

The visionary’s bold aesthetic is easier to achieve than you think

For her latest album and tour imagery, the musician was inspired by artists ranging from Francisco de Goya to Marilyn Minter, and also worked closely with artist Alex Da Corte

We break down whether Monica Geller and her pals would’ve really been able to pay their rent

Thirty years after the show’s premiere, fans are still clamoring to get inside the world of their favorite show

AD looks back on the beloved sets of Friends with production designer John Shaffner ahead of the show’s 30th anniversary

How Aaron Sorkin’s political juggernaut brought the White House to the small screen so successfully 25 years ago

Tim Burton and company almost did not return to small town Vermont to film the sequel

With the crime-comedy caper back on Hulu, let’s recap the lore surrounding the beloved fictional NYC apartment building at the center of the show

AD reveals an exclusive video look at the set and catches up with Kravitz on how the luxe locale turns “claustrophobic” as the film unfolds

From Cher Horowitz’s high-tech conveyor belt to Barbie’s giant pink toy box

Another round of Haussmanian eye candy, dreamy on-location shoots, and sumptuous Parisian interiors? Oui, s’il vous plaît!

The comedian and writer worked with production designer Tommaso Ortino to create a version of NYC unlike anything we’ve seen