- Space Savers
- Season 1
- Episode 20
Interior Designers Transform an Empty Garage into a Luxury Guest House
Released on 02/01/2024
[Narrator] These three interior designers
have been asked to transform this empty garage
into a luxurious guest suite.
They have free reign to design it in any way they please.
I'm Joy and my design style
is comfortable, relaxed, and classic.
I'm Darren Jet and my design approach
is narrative driven, bold, and daring.
I'm Noz and my design style is sometimes
minimalist, zen, and very material first.
[Narrator] No clients, no budget, just blank space.
My first impressions of this garage
is that it should be torn down
but we are not going to do that.
This garage door is sad.
This would be the clear reminder no matter what you did,
no matter how many flowers and bouquets
you put in this room for your guests,
they will know with this door and this mechanism,
I'm sleeping in somebody's garage.
My first impressions of this garage
is that it's a pretty big space
and it also has some really good bones.
It's pretty raw so I think
we can have a lot of fun with it.
We are going to breathe new breath into the structure
and make it a lovely residence for grandma.
[pencil writing] [uplifting jazz music]
My vision for the space was that
it's a real mother-in-law space but a new age grandma.
Think Tina Turner who just left the Beyonce concert,
who's still feeling cozy and wants to kind of shake it up
and you know, let her family know
that grandma's still pumping, grandma's still whipping it.
For me, a luxury is having something you yourself
can use it at all times if you so choose.
I'm starting to approach this
thinking about the terminology of a body shop.
I would like for this to also be a gym.
How can we incorporate a guest room,
a gym, and a garage all in one?
As soon as I saw this garage, I was like,
I wanna do zendustrial,
which is zen and industrial, mixed together.
Industrial because it's a garage
and zen because there's gorgeous trees outside.
I wanna bring some of that beautiful peacefulness
into this garage. [calming jazz music]
So this floor is just a poured concrete floor.
You can see it's a little worse for wear,
we can do a lot better.
What we want to do in this space is
to think about indoor outdoor at all times.
At the end of the day, this is a garage.
It has to be a space that can accept an oil spill.
The car can pull in and it's not going to damage the floor.
So what I wanna do is have the floor
basically just be the driveway.
In this case, the driveway comes into the space
and instead of it just being a plain concrete,
let's do something a little bit cooler.
Let's have the concrete poured
and then have stones inside of it
that just give a little bit of texture.
I really want to lean into the idea
of a masculine focused space.
So the idea of having rocks embedded into the flooring,
that is really our first step in the process.
I personally love an epoxy floor.
First of all, it's very doable
and second of all, you can actually paint with epoxy.
You can pour it out and almost like resin,
you can rake it around and make swirly marbleized patterns.
So I wanna do something like that here,
but it's zen and so you would actually rake
two different colors of epoxy,
a lighter beige and a darker gray,
and we would rake that into the shape of a zen garden.
Grandma is this funky diva,
her best grandchild is her new Bugatti
and she wants it on full display at all times.
And we are going to paint the concrete.
It's not the most novel idea in the world,
but what is, is we're going to dig deep
so the car will be below a floor that is inset
with this transparent material
and look down at her Bugatti.
So it's going to look like it's encased in a picture frame.
We're not going to just put this thing outside.
This is an investment, an art piece
that is born to be loved.
[pencil writing] [upbeat music]
I actually want to keep the idea
of the framing in the space.
I don't really want to be rebuilding this thing at all.
I'm actually going to essentially just cover
two of the stud areas here with a darkened wood
and then adjacent to that you would have the red glass.
What I would like to do is to also have the ability
to open up those panels so that you could get some breeze in
and just make a really comfortable environment.
The overall material palette of this room
really is inspired by Teshima Art Museum in Japan.
They have the sort of darkened black wood
with glass that is tinted red.
What's really cool about that is you can see outside,
but everything turns into a sort of black shadow in a way.
The walls are just going to receive
an encaustic Venetian finish,
which is a very troweled hand with wax,
which also creates depth within the wall finish.
And then we're gonna create
this beautiful bronze inset framework
with dividers separating the private space
from the public space.
While there is nothing wrong with the door over here,
I wanna move it over to where this window is
and replace this window with like a glass door.
The only other thing I'm gonna do,
is I wanna make this window a teeny bit bigger.
You're gonna move things around architecturally,
this is the time to do it, when your space is just a shell.
Then once I've moved this over,
I'm gonna actually insulate the walls.
Going back to the zen thing, I love shoji screens.
I have a vision of us being able to use shoji screens
to actually hide this giant electrical panel,
to hide the window to do a lot of things.
And I would use kind of an oak that's similar to this,
which is very light and beautiful,
very Americana because I like oak.
Rather than using like a Hinoki cypress cedar,
which is more endemic to Japan.
This is I would say, like the Hinoki of America
so we're gonna do white oak
all over the place for the frames.
[pencil writing] [upbeat chillstep music]
I really love the existing beams
and I wanted them to remain because I think they're
a nice little architectural application.
What a lovely opportunity to have a vaulted ceiling.
Why spend extra money when you don't have to?
So just adding a really rich, deep dark stain to them
I think is a nice contrast to the Venetian walls.
The space itself is very cool
from a geometric perspective.
Cathedral ceiling, the sort of a-frame
that lives on top of the rectangle.
So what I would like to do is to just embrace that.
Why don't we just carry that same materiality
up from the walls onto the ceilings?
So wherever you have a wood wall will be a wood ceiling
and wherever you have the red glass wall
will be a red glass ceiling.
I love these rafters.
This is a beautiful thing if you want them,
but I kind of love the idea of having all of the structure
for the garage roof actually go outside.
So you don't need rafters like this
or to keep the center beam because that's beautiful
and it's gonna hold the ceiling up.
And then I wanna put skylights in
because I want there to be an opportunity for you
to cover all of the garage windows and doors up
in order to have privacy.
You still might want like natural light to flow in.
So let's take the shoji screens up
onto the vaulted ceiling of the garage
and then have skylights overhead, like how darling.
[pencil writing] [upbeat music]
So now let's address the garage door in the room.
I was gonna say the elephant, but it's a garage door.
I really don't like this one.
If we're using this as a living space,
a standard garage door is not gonna cut it
Again, the goal was really
to create a residential feel to this garage.
First thing we gotta do is we gotta get rid
of this hideous standard garage door.
The original door location in this garage
was actually dead center of the space.
But in effort for the parking garage
to be approached the way I needed it to be,
I relocated the doors from the front of the garage
to the side of the garage.
So a nice way to create that residential feel,
is to work with residential sort of styled doors,
but make 'em fabulous.
You know, get a nice finish to them
and eliminate any of that tinny aluminum feel.
We're gonna make it glass and steel
because that makes it much lighter and more beautiful.
There's this architect Olson Kundig,
they make the most spectacular garage door walls,
very refined industrial inspiration
for a lot of what's going on here,
where they'll have like a giant wheel
and then a tiny wheel where you turn the tiny wheel
and that moves the door open.
Obviously, I'll also have a button where you can press it
and it automatically opens because who wants to sit there
and you're like, Oh my god, like I'm still
outside of my car like turning my wheel.
But now let's address that I just put a glass garage door
in a place that's supposed to also be
a private guest area, right?
Fritted glass, that is my answer.
It's basically electrified glass where it's clear
until you press a switch
and then it turns frosted for privacy.
It's such a brilliant invention
and that film is going to make all the difference
in allowing guests as well as your own self,
to see out into the beautiful trees in this neighborhood
or have the privacy that you need when you're staying.
First of all, imagine this wall is being all mirror.
That would be great to make this sort of darker space
feel a bit larger and also if it's a gym,
you want to have a mirror across from you
while you're working out.
But what I would like to do
is to have one section of that mirror
be stationary as a wall
and the other part be a movable door.
It's also mirror but it opens up to the left
and that's whenever you would have your car coming in
and you have a mirrored sliding garage door.
[pencil writing] [lo-fi music]
So now let's actually like put some function in here.
We need a little kitchenette,
I think that's really important.
Even if you go into the main house
for like the shower and the toilet,
you always wanna have a sink.
So the cabinetry itself is gonna be wood,
the same oak but a touch lighter
than the rest of the oak on the shoji screen frames.
And then for the countertop,
I am envisioning Lemurian granite,
it's mostly 'cause I love holograms and I love like rainbow.
Lemurian granite almost looks like labradorite
if you're a rock hound.
And basically it's got these iridescent crystal chunks
but otherwise is mostly like a dark gray neutral.
I am seeing like a slab counter
that becomes the sink as well.
And then we'll have a side splash and a back splash
to protect the shoji screens from getting wet,
of course, we have to be practical.
And then the whole thing flows into a giant bolder,
[Noz exclaims] so I love the idea.
I don't know if folks know this,
you know you can go to a slab yard
and special order boulders?
I'm envisioning someone just really loving rocks as do I.
And then we're gonna have like a little mini fridge.
At the very very front of the space,
we have two wonderful vintage
lounge daybeds from Jean Prouvé.
We have some additional side tables from Cedric Hartman,
which have a lovely sleigh leg base to them
which are bronze finish.
The bed design is very intentional.
It's based on a reference from the 1970s
stainless steel bed frame with leather bedding on top of it.
And it's actually held up by four pulleys on the corners
with eight wires hanging from them.
These are cables that can go around the pulley
and it can be lifted up from the ground
whenever you want to have a car inside of the garage.
So for this guest bedroom purpose,
I would really like for the bed to not just be a bed.
I think that if we can pull up
a really cool chair next to it,
have a sort of coffee table moment,
the bed can also be like a day bed or like a sofa.
Where it's not just a bed hanging out
in the middle of the space,
it's actually a really cool thing
to sit on and use, and other things.
This particular lounge chair is actually by Roger Tallon.
It's a sort of egg crate foam material
with a nice stainless steel base.
It's a beautiful tension between the stainless steel
and the reclaimed wood and the red glass.
And then we'll have a glass table next to that
to really emphasize the materiality of the floor.
I always like to use round dining tables
because I detest any sense of hierarchy at the dining table.
Want everybody to be on even keel.
We have a beautiful wood dining table
from Gallery Studio.
The rattan dining chairs are from Our House
and I just really love this sort of
sculptural edge profile to them
and I thought the finish goes really, really well
with the vaulted stain on the ceiling.
When you are able to pull a pallet together of materials
that have a sense of commonality and reference,
it makes things feel like they belong together.
The reason I wanna move the door
all the way to the other wall
is because all of the rest of the function
that gets built in, is on this wall next to the kitchenette.
I want to do as little built in
on the other side of the garage
to allow for maximum square footage,
so all of the function lives only on one wall.
So we're gonna have the Murphy bed of course
because you can't just have the bed living out there
and that is gonna be in all wood.
Next to it, we'll have like storage and a little desk
'cause it's still a garage.
You still have to have somewhere for you to put
all your extra Windex, and all your extra paper towels,
and your toilet paper like somewhere you need storage still.
So we're gonna have storage
and then the little desk area is for guests
and that'll have the same countertop as the kitchenette.
The sleigh bed is from Dmitriy & Co
and it's got that sort of swoopy,
sensual edge detail to it of the framework.
The side tables are a combination of wood and plexiglass
so they feel very, very light
and almost disappear against the bed.
I really like the idea
of there being real furniture in here,
but all generally small enough or on wheels
that you can move it out of the way
when you're parking your car here.
Most of the time this garage is gonna be a garage for a car.
I don't want the furniture to be super precious
but I still want it to be chic and amazing.
I'm really in love with the Ekström sofa,
but they have a version that is on casters
and I love the idea that the biggest piece of furniture,
you're just gonna like roll it out.
And I'm gonna upholster the cushions in this beautiful
indoor-outdoor fabric.
It's designed by Kelly Wearstler for Lee Jofa,
it's actually really soft and squishy.
If you could feel it,
it's almost got kind of like a happy terrycloth vibe
and I love the indigo colors.
So we have Vonnegut Kraft, a beautiful furniture maker.
I'm gonna do their Mesa Coffee Table.
And then they also have this little stool
that kind of almost has like a torii gate
sort of swoopy seat on it.
And then I recently found this adorable,
beautiful spectacularly weirdo chair by Studio Sam Klemick.
I just love everything about it
and it's actually upholstered just like this.
Like I didn't custom change the upholstery or anything,
I actually really like it as is.
It feels very like Japanese inspired
and I love the idea of doing like indigo's and bricky reds
to sort of warm up and otherwise really neutral space.
[lively jazz music] [pencil writing]
I think in general the lighting
is going to mostly be coming from the windows,
but you know you're also gonna be using the space
at nighttime too if it is a guest room, right?
What I would like to do,
is wherever you have the wooden walls
to have integrated lighting on the floor
that would wash up the wall
and just make the room feel brighter,
while also still casting a very strong cone of light
and being a bit dramatic.
You also wanna have lighting from the ceiling as well.
So just having very simple spotlights
on the bottom of each beam, on the left and right side
will help you out there.
Let's talk overhead first.
I've removed all of the structure in the ceiling
and now I have this like gaping vaulted ceiling.
I did that because I want to have a giant light fixture.
Just because it's a garage doesn't mean
that you can't have luxury.
I'm really in love with Jeff Zimmerman's pieces
who makes basically illuminated sculptures,
fancy artistic word for lights.
And there's this one which is kind of like swoopy
and looks like a tree branch
that has blossoms coming off of it.
It's giving that organic nature tone to the space
that otherwise is very rectilinear,
so I love the idea of one of those
in kind of a bronze, dark black finish.
Coming out of this black painted beam
and filling the room with a beautiful soft glowy light.
We have a recess with very warm lighting
and also storage units for all of her little bits and such.
And it feels like a gallery space when she's sitting there
reclining on the Jean Prouvé daybeds or just entertaining.
And as we're moving to the dining area,
there's this really delicate sort of
leaf-like verdigris chandelier from Cox London,
which is really just very light, not heavy in the space
and it kind of brings the greenery in
without having to maintain plants
'cause she's traveling all the time.
So it sort of has a nice naturalistic vibe to that space.
So we've just got little, you know,
lights from Lulu and Georgia
because you know you gotta read something
and grandma's gotta lay there
and figure out the destination for her next trips.
Just next to the window,
you still need light over the countertop.
I just want everything to kind of be vibey, right?
So I wanna use this ochre piece,
it's actually already part wood
and then there's this beautiful giant glass lens on it
where an LED shines all the way through the glass,
and then the bottom of the glass becomes what lights up.
It's kind of wild, it looks magical.
At the bed, there are these amazing sconces
designed by Sarah Schoenberger
and I just think they're so ridiculous.
They go like this and they're just...
They're mostly just really thin.
I've never seen a hard wire light
that has such a slim profile.
So it's perfect for us to put along the frames
of the Murphy bed so the lights do stick out
'cause they're sitting vertically perpendicular
to the rest of the Murphy bed frame.
So we're gonna put them on hinges
and then you could fold them in against the Murphy bed
when it wasn't in use.
[pencil writing] [calming lo-fi music]
So now let's talk about plants.
This is still a zen garden inspired space
so I really love bonsai trees in here.
If you look up, are bonsai trees indoor or outdoor plants?
Yes, I am equally as confused.
It's yes and yes, so I love the idea
of having a really big, tall Japanese black pine.
It's my favorite bonsai plant
and they can grow in the United States.
I'm gonna have one over here that kind of further disguises
this whole shoji screen covering up
the electrical panel situation and that one is on casters.
When this is a garage-garage,
that tree lives outside principally so it gets fresh air,
it gets precipitation, it gets sunshine,
and it continues to grow into a large bonsai.
And then it comes inside when you have guests,
so it's like a little lovely organic moment.
And then over on the giant boulder,
we're gonna have more of a traditional little bonsai
and that one lives in a pot that you can carry around.
So this one is the indoor plant,
but I did wanna make that window larger
so that you can have plenty of light shining down
onto that little baby bonsai.
In this space, I want to keep
the decorative elements to a minimum.
Of course we're gonna have a plant,
I want to have something that's a bit more sculptural.
So in this case, having more of a cactus.
And really I want to let the architecture speak for itself
and I want to let the user also take precedence.
I want the car to take precedence when it's inside of here.
I don't wanna have too many things going on.
I want it to be very architectural
and simple at the end of the day.
And then we've got some beautiful
contemporary artwork by Michael Dawkins
and the decorative mirror directly above is from Perigold
and it's like so inexpensive.
And the architecture in this room,
really just kind of riffs off one another
and it just creates a nice balance within the space.
[pencil writing] [lively chillhop music]
The warm gallery, artistic sort of vibe
for today's grandma's was nailed here.
I mean, it's an upbeat space,
artistic space, comfortable space.
Grandma clearly loves to entertain.
She's paying homage to her Bugatti
that she worked her tail off for,
and wants everybody to see it.
So you know, cue the music.
I think this room is really sick.
I think that as a guest room, it's kind of a gag.
I think it's actually very cool.
I don't think there's anything to shy away from.
There's something cool about showcasing your life to people.
So if your in-laws are staying here,
they know who you are and they're gonna love it.
They love you and you're welcoming them into your home
so let them sleep on a leather bed,
suspend it from the ceiling
and they're gonna remember it forever.
I am so happy with the end result.
I would be really proud personally
to have guests in a space like this,
especially because it's so indoor-outdoor.
[pencil writing] [cheery jazz music]
Whoa!
Nelly! Okay, S&M fantasia.
Sex dome. Wow!
That's a sex dome!
Look at her, this is amazing.
Wow, I love...
I love all of this red of course.
I'm absolutely fond of. Wow, that's so cool.
Wait but it's also a gym though, right?
It's a gym, yeah. I love...
[Darren] Wait, that's funny. Yeah.
[Joy] That's a very sexy room.
I mean, I was thinking like, you know the ultimate luxury
is to have something that you can use sort of all the time.
Yeah, hundred percent.
It's not just a guest room
so I also had this thought of like a body shop.
Oh cool. Kind of a play-
What kind of body shop? Right...
[everyone laughs]
What kind of a body shop? I like that, that's amazing.
But your bed goes up-up? It goes up-up.
So mine folds up, it's just a Murphy bed.
[Darren] And your garage door
is the glass door right there?
[Noz] It's this giant glass door
and then it has glass door switch,
you know the thing where then all of a sudden the window-
[Joy] Fretted glass for privacy.
Thank you,
that's what it's called. Yeah.
I am needing Joy all the time to remember my words.
Joy, yours is really giving like luxury bedroom too.
It's so beautiful.
It does not even look like a garage
[Joy] Dance party at seven. Yeah.
Cause she's a little older
so it needs to start a little earlier.
I feel that, I feel that.
There's definitely dancing.
Mine goes all night. [everyone laughs]
With your workout party.
Exactly.
[inspiring music]
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